GH: Yeah. Well, it's important, you know? I'm going to make a fool of myself in January… I'm going to act again.
HM: Are you?
GH: Yeah. Me and a few friends, very small time, we're making a film about a busker. And I'm going to play the busker. He's basically a guy who is in his early thirties, he's kind of disillusioned, but he's good, you know. He has something. He has some songs… and his girlfriend's gone away… And myself and Damien Rice are writing all the songs for it. And basically he meets this Eastern European girl who's selling this magazine, and she somehow inspires him to get off his ass and to get into the studio and make a record and basically go see his girlfriend in London… to get her back with these songs that he's been writing because she's been floored by these tunes he's been writing. It's a very simple story… but we're going to start shooting in January. The script is really good, I'm really happy with it.
HM: So you and Damien Rice are friends? You're tight?
GH: Well, yeah. I mean I guess like anybody, we're the same animal so we both love and hate each other. Well, don't love and hate each other, but we like being in each other's company and at the same time we're a little cautious of each other. It's kind of strange, man. I like him a lot, though.
HM: The tour that you did with him last year, was that the first time you'd met him?
GH: No, no. Geez, I've known him years. He toured with us, he opened up for our shows when he left Juniper first… That's how he started. He first started touring with us, just him and his guitar. So I've known him for a long time.
HM: I didn't realize that he had been in a band before.
GH: Yeah, he was in a band before.
HM: He's another one I don't quite get. Some of his songs I really enjoy, but…
GH: I know what you mean. He's kind of an acquired taste.
HM: I was hoping that seeing him live would help, that it might make it all click… and it didn't. Maybe I just wasn't in the right frame of mind… you know, so much of that kind of thing is frame of mind.
GH: No, I know what you're saying. A lot of my friends do not get him. I guess if I'm being really honest, I go to myself, his music isn't the strongest element of my friendship with him… he just does what he does, and I do what I do, and somehow we end up getting on in the middle of it. I don't think we ever really talk about each other's music to each other. We just talk about cooking, or…
HM: So how is that going to go, writing these songs with him?
GH: So far, it's been really good. We've sat down and written together, and basically taken the guitars out and… right, here's the scene where I'm playing this song for the first time on the street. This girl walks by and she hears it. What kind of song is it? Where are we? Okay, what have we got? One of us starts playing some chords and we kind of take it from there… and it's been really organic, really simple. You know, what he has to offer and what I have to offer are two very different things, and when they combine they seem to work really well…
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